Nayara Noor

Contains themes of self-harm.
Reader discretion is advised.

Red splatter on the spotless floor,
Reminiscent of a cloud smeared sunset
Petals swoon, crash to the ground
The birth of blood-roses against snow

Juxtaposition - illustration for Nayara

If I spit out beautiful prose
Pretend my skin is still sewn together
Will I be absolved from this cruel curse

Tiger stripes on my porcelain wrists,
Reminiscent of the wild eyed beast
A road-map of my body that hides
All the secrets that are just for me.

If I spit out beautiful prose
Wear the façade of sanity for now
Will my deception make me look human

The glint of a shard of glass
Protruding from my shaking palms
A jagged-edged crystal grown in icy caves
An asymmetrical gemstone, tainted by my sins

If I spit out beautiful prose
Don a cloak over my guilt, shame and pain
Will I want to wake up to face

In Defence of Accessible Modern Poetry (That Is Not Rupi Kaur)

Modern Poetry that is not rupi kaur
Illustration by Joyita Faruk

The definition of modern poetry these days is one that forces the average reader to ask: what is poetry even? Is it a strict scheme of rhymes and a rigid number of syllables? Or is it just a bunch of words spewed and shaped in bizarre ways? In the name of accessibility, have people distorted the very existence of poetry and the beauty it entails?

Line breaks
Does not 

Good poetry make”
-Not Rupi Kaur, 2021

Modern poetry can be accessible and good. In this piece, I’ll make a case for good, accessible poetry by showcasing examples that are digestible without the flaws of Kaur-esque poetry. But before that, let’s discuss how contemporary poetry has emerged. 

Some Well-Needed History on Modern Poetry

When I say ‘modern poetry,’ I’m not referring to Modernist poetry in the 20th century, but confessional poetry. This emerged in the 50s and the 60s. It focuses on individual experiences of people, taking a deep dive into our humanity, trauma, and desires. 

Issues such as assault, suicidal tendencies, and mental illness are explored within such poems. They gained popularity partly as most of these topics are ‘taboo’, like discovering your sexuality. The aftermath of WWII and the Cold War brought a sense of despair. Individuals looked within themselves to find happiness, rather than focusing on societal issues.

Accessibility vs. Quality

I can’t deny that Rupi Kaur has made poetry accessible. However, most of her poems are underdeveloped and void of any interesting poetic techniques. A common critique is that her poems are mostly broken-up lines.

If we look at how language has evolved, it makes sense that the works of Shakespeare and Dickinson seem inaccessible. Thus, people assume all poetry is complicated. However, though Tolkien and Robert Jordan have incredibly different writing styles due to being from different eras, their works are technically sound.

Accessible Modern Poetry That’s Good: Examples

Conversations of Mental Health in Modern Poetry

The calm, 

Cool face of the river

Asked me for a kiss

Rupi Kaur is often hailed as an advocate for mental health, but I can name several poets with better poetry with the same themes. Langston Hughes’ ‘Suicide Note’ uses alliteration and enjambment – the technique of using unnatural line breaks – and is 3 lines long. It leaves you wondering if the narrator takes the jump. It is a profound exploration of how suicide feels ‘peaceful’ to someone who is depressed, with his deliberate usage of the words ‘calm’ and ‘cool.’ 

Mental health issues have been at the forefront of contemporary poetry. Poets like Sabrina Benaim and Neil Hillborn dig deep in expressing the brutality and isolation associated with mental illness. Benaim’s famous poem “Explaining My Depression to My Mother: A Conversation” portrays how trying to express yourself can seem like an insurmountable barrier; the ending lines “Mom still doesn’t understand. Mom don’t you see, neither can I?” haunts the readers long after the book has been closed.

Same Style, Different Depths of Meaning

We have calcium in our bones, iron in our veins,
Carbon in our souls, nitrogen in our brains,
93 percent stardust, with souls made of flames,
We are all just stars, that have people names
-93% Stardust, Nikita Gill

I’d argue Nikita Gill is the most similar to Rupi; she inspects many of the same themes of femininity, sexuality, heartbreak, and loneliness, but has a far wider range of techniques she uses in her work – incorporating various rhyme schemes and forms. Her use of enjambment and technique is noticeable, with meaning laced everywhere.

Leaving Traces of A Homeland

You are standing in the minefield again,
Someone who is dead now
told you it is where you will learn
to dance
-Snippet from “Tell Me Something Good,” Ocean Vuong 

Rupi Kaur has been criticized for not delving deep into her Indo-Canadian identity. In these cases, I turn to Ocean Vuong, my favorite poet. His poems dive deep into his Vietnamese-American identity, the repercussions of war, and his family history. Similarly, Warsan Shire’s poem “Conversations About Home (At The Deportation Centre)” reflects the racism faced by immigrants in a landscape that’s shifting towards anti-immigration policies.

Thus, as you can see, it is untrue that – to be ‘accessible’, quality has to be compromised upon. You can still incorporate myriad techniques; use innovative word choices. You can explore complex themes and complicated conversations with the simplest prose. At the end of the day, that’s what poetry should be – not a string of words with no semblance of meaning or grace in its verses.